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	<title>Pierre Moulin</title>
	<link>https://moulinpierre.com</link>
	<description>Pierre Moulin</description>
	<pubDate>Sun, 04 Jan 2026 17:54:01 +0000</pubDate>
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		<title>AFTER THE SHELL · LE GRAND SILENCE</title>
				
		<link>https://moulinpierre.com/AFTER-THE-SHELL-LE-GRAND-SILENCE</link>

		<pubDate>Sun, 04 Jan 2026 17:22:02 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

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&#38;nbsp;
&#38;nbsp;

	&#38;nbsp;__

AFTER THE SHELL · LE GRAND SILENCE___


2024_____2026 (COMING SOON)


	
    
    


Inspired by a near-death experience, AFTER THE SHELL · LE GRAND SILENCE is a 360° film in
which you become a drifting soul, suspended between the disappearance
of one world and the rebirth of another. 
Guided by a distant glow, you travel through an immaculate landscape

where Nature slowly awakens. Immerse yourself in this sensorial journey
and let the light surround you : where will it lead you?









Year of Production :
2025

Country of Production :
FRANCE

Genre of the VR Object : 
MONOSCOPIC 360° VR FILM

Duration :
14 Min

Orig
inal Title :
LE GRAND SILENCE

International Title : 
AFTER THE SHELL

Name of the director :
PIERRE MOULIN
Distribution : DIVERSION (Link)
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		<title>LOST GAMING MEMORIES</title>
				
		<link>https://moulinpierre.com/LOST-GAMING-MEMORIES</link>

		<pubDate>Sun, 04 Jan 2026 17:54:01 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

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&#38;nbsp;
&#38;nbsp;

	&#38;nbsp;__

ICI, LA TERRE EST À SÉDUIRE___


10.24_____11.24
&#38;nbsp; &#38;nbsp; &#38;nbsp;

	


“Friction opens interstices, breaches, and pores that Pierre Moulin, as an architect of the minuscule, sees as vast expanses of possibilities. For this first solo exhibition at CONFORT MENTAL, Pierre Moulin explores the sites of accidents in the Anthropocene. These are the places where nature encounters human experience: where concrete cracks, where rust eats away, where vegetation infiltrates the ruins of our certainties. Pierre Moulin seeks signs of rebirth. He tracks the cracks through which life resurfaces, generating the unexpected and the strange, challenging the reality of our environments. His works invite us to take a sensitive look at our natural spaces, irreversibly degraded, while reflecting on the dynamics of creation and destruction.

"Le Grand Silence," a virtual reality film, envelops us in a constantly evolving landscape. The viewer, plunged into a transitory state, becomes the traveler in an initiatory narrative whose only outcome is a return to Earth. From a decaying room, where only a disheveled bed remains, to a dizzying tunnel of mycelium, the scenes unfold, revealing a multitude of potential landscapes. This return to Earth symbolizes the death of our certainties, of our constructions and dominions, but also carries the promise of a rebirth, where life always finds a way to reappear in another form. When immense buildings melt into the sky, they mark a reintegration into the cycle of life. These structures, symbols of the human era, gradually fade, reintegrated into a nature reclaiming its rights. Passing through this mycelium tunnel thus becomes a necessity to redefine our place in the world.

Pierre Moulin's sculptures, called Assets, evoke the modular elements of video games. They are combinations, hybridizations of fantasies, where different species and materials become one. Like a hunter-gatherer, he collects animal, plant, and mineral forms in search of their irregularities. Once scanned and cataloged on his phone, he scrutinizes, analyzes, and dissects them to understand their inner workings. Pierre Moulin is interested in mutating species, proliferating fungi, and wilting flowers, which he constantly deconstructs and reconstructs on his 3D software. Only when he prints them does he succeed in fixing them. These sculptures represent only a tiny part of a whole, somewhere between a bestiary and a herbarium.”&#38;nbsp;


- Emma Brisot 








FISHEYE IMMERSIVE
SALIVA.LIVE


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		<title>AGGREGATE · DISTRACTION COLLECTIVE</title>
				
		<link>https://moulinpierre.com/AGGREGATE-DISTRACTION-COLLECTIVE</link>

		<pubDate>Sun, 04 Jan 2026 17:25:39 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

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&#38;nbsp;
&#38;nbsp;

	&#38;nbsp;__
AGGREGATE · DISTRACTION COLLECTIVE___


2024_____2025&#38;nbsp; &#38;nbsp; &#38;nbsp;

	




A game created by Distraction Collective, combining video game design, 3D-printed resin, computer-based systems, video projection and sound, in a variable-dimension installation.

World premiere at CPH:DOX (Link).




If an artificial intelligence had to learn to desire, what path would it take to fill the void that separates it from intimacy? Aggregate is a collective process requiring a large number of players to take turns and undergo reinforcement learning (punishment/reward) as they make their way through the wasteland of machine learning and queer desire.At the heart of a vast bramble patch littered with power pylons and abandoned structures, the AI carves—through its arduous passage—the network of aggregated lines of desire that may, on its next run, allow it to reach the object of its longing, held captive in a blind fortress. It hurts itself, collapses, and begins again tirelessly, learning a little more with each attempt.











Pierre Moulin (Alternative controler / 3D printing) 

Vincent Moulinet (Game design / Writing / 3D modeling) Jonathan Coryn (Game design / Gameplay programming / 3D modeling) Nino Filiu (Gameplay programming / 3D modeling / Animation) Camille Petit (Art direction / Game art / VFX Art) Victor Meas (Character design / 3D modeling)Alpha Rats (UI)Igor Dubreucq (OST / SFX / 3D modeling)Moshe Linke (3D modeling)
Aknowledgements : Théo Casciani, Cosmografik, Jules Durand





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		<title>ICI, LA TERRE EST À SÉDUIRE</title>
				
		<link>https://moulinpierre.com/ICI-LA-TERRE-EST-A-SEDUIRE</link>

		<pubDate>Tue, 15 Oct 2024 17:34:59 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/ICI-LA-TERRE-EST-A-SEDUIRE</guid>

		<description>
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&#38;nbsp;
&#38;nbsp;

	&#38;nbsp;__

ICI, LA TERRE EST À SÉDUIRE___


10.24_____11.24
&#38;nbsp; &#38;nbsp; &#38;nbsp;

	


“Friction opens interstices, breaches, and pores that Pierre Moulin, as an architect of the minuscule, sees as vast expanses of possibilities. For this first solo exhibition at CONFORT MENTAL, Pierre Moulin explores the sites of accidents in the Anthropocene. These are the places where nature encounters human experience: where concrete cracks, where rust eats away, where vegetation infiltrates the ruins of our certainties. Pierre Moulin seeks signs of rebirth. He tracks the cracks through which life resurfaces, generating the unexpected and the strange, challenging the reality of our environments. His works invite us to take a sensitive look at our natural spaces, irreversibly degraded, while reflecting on the dynamics of creation and destruction.

"Le Grand Silence," a virtual reality film, envelops us in a constantly evolving landscape. The viewer, plunged into a transitory state, becomes the traveler in an initiatory narrative whose only outcome is a return to Earth. From a decaying room, where only a disheveled bed remains, to a dizzying tunnel of mycelium, the scenes unfold, revealing a multitude of potential landscapes. This return to Earth symbolizes the death of our certainties, of our constructions and dominions, but also carries the promise of a rebirth, where life always finds a way to reappear in another form. When immense buildings melt into the sky, they mark a reintegration into the cycle of life. These structures, symbols of the human era, gradually fade, reintegrated into a nature reclaiming its rights. Passing through this mycelium tunnel thus becomes a necessity to redefine our place in the world.

Pierre Moulin's sculptures, called Assets, evoke the modular elements of video games. They are combinations, hybridizations of fantasies, where different species and materials become one. Like a hunter-gatherer, he collects animal, plant, and mineral forms in search of their irregularities. Once scanned and cataloged on his phone, he scrutinizes, analyzes, and dissects them to understand their inner workings. Pierre Moulin is interested in mutating species, proliferating fungi, and wilting flowers, which he constantly deconstructs and reconstructs on his 3D software. Only when he prints them does he succeed in fixing them. These sculptures represent only a tiny part of a whole, somewhere between a bestiary and a herbarium.”&#38;nbsp;


- Emma Brisot 








FISHEYE IMMERSIVE
SALIVA.LIVE


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	<item>
		<title>THE WIND CARRIED IT IN ITS BELLY</title>
				
		<link>https://moulinpierre.com/THE-WIND-CARRIED-IT-IN-ITS-BELLY</link>

		<pubDate>Wed, 17 May 2023 14:14:18 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/THE-WIND-CARRIED-IT-IN-ITS-BELLY</guid>

		<description>
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&#38;nbsp;
&#38;nbsp;

	&#38;nbsp;__THE WIND CARRIED IT IN ITS BELLY___


05.23_____06.23






 


&#38;nbsp; &#38;nbsp; &#38;nbsp;

	
This piece is an interactive installation composed of a video game, sculptures and scenography created for the exhibition “SOW THE ECHOES”&#38;nbsp;

curated by Emma Brisot &#38;amp; Salome Fau
.

THE WIND CARRIED IT IN ITS BELLY invites us to rethink our relationship with nature and technology. The player is transported to a virtual forest, where the actual elements of the installation are scanned and integrated in 3D. The landscape uses different types of nature, creating an eerie, hybrid and ethereal ambiance. This moving painting seeks to evoke both a feeling of anguish linked to eco-anxiety and the feeling of the sublime that a forest provides, an immeasurable space. The spectator, accompanied by a flashlight, enjoys total freedom to shape his experience in this organic fiction where each passage will be a different experience.












“Far from solastalgia, like an ode to a rediscovered order, Luna-Isola Bersanetti, Louise Le Pape and Pierre Moulin, imagine the contours of a contemporary tale where Nature and Technologies no longer clash. Within a course plunged into darkness, the spectators are included and encouraged to question themselves. Who are the owners of these stripped skins? Since when do these mysterious songs enchant space? Have you ever set foot in this mystical forest? Source of a poetic emulation, the elements organic and artificial interact in the exhibition space to the point of merging to reveal what was hidden from us. Pushing the plastic limits of Luna-Isola Bersanetti porcelain to the limits, it releases a new sound quality. Like an ancestral song to call the rain, the ceramic petals collide in a hypnotic dance, leaving a fleeting presence and an emaciated costume in an intriguing setting. Pierre Moulin through these plots of nature plays with our perception of organic and mineral forms. Sometimes strewn on the ground around us, sometimes hidden in a projected video game, it ironically questions our loss of sensitivity to nature by using new technologies. Louise Le Pape, a discreet gleaner, goes in search of the fragility of the croaking of frogs to release new sounds at the border of electronic music. His hybrid songs follow us until disturbing our senses and make us rediscover the natural poetry that emerges from the living. “Sow the echoes” seeks to create a total, sound and interactive environment, where the fictional scenario merges with reality, plunging the visitor into an ambiguous story of which he alone is the holder of the fall. - Emma Brisot and Salome Fau






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	<item>
		<title>FROM THE VOICES EMANATES THE CHILD</title>
				
		<link>https://moulinpierre.com/FROM-THE-VOICES-EMANATES-THE-CHILD</link>

		<pubDate>Sat, 04 Jun 2022 00:25:11 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/FROM-THE-VOICES-EMANATES-THE-CHILD</guid>

		<description>
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&#38;nbsp;

	&#38;nbsp;__FROM THE VOICES EMANATES THE CHILD___




05.19____06.22


 




	

Documented during three years of research around the different biomes housing our planet, «From the void emanates the child» is an organic fiction articulated around the movement of natural patterns and their environment as well as their interactions in an era of considerable geological changes.Evolving between strata, plants and other natural elements, each work wants to appear as a biome synthesis which calls for a haptic gaze « From the voices emanates the child» aims to take a look at the creations and mutations of our ecosystems entering the anthropocene era.

https://www.gggaaallleeerrryyy.com/on-view/pierre-moulin



	

	

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		<title>JAPOSTA · PALAIS AUGMENTÉ FESTIVAL</title>
				
		<link>https://moulinpierre.com/JAPOSTA-PALAIS-AUGMENTE-FESTIVAL</link>

		<pubDate>Wed, 01 Jun 2022 21:07:56 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/JAPOSTA-PALAIS-AUGMENTE-FESTIVAL</guid>

		<description>
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&#60;img width="2500" height="1280" width_o="2500" height_o="1280" data-src="https://freight.cargo.site/t/original/i/682621c4c4fc4dc3679b626738d3d1a5d72b7763ba6d7ee1958eb5754025b0b9/JAPOSTA-4-site-copiefefefe.png" data-mid="145757910" border="0"  src="https://freight.cargo.site/w/1000/i/682621c4c4fc4dc3679b626738d3d1a5d72b7763ba6d7ee1958eb5754025b0b9/JAPOSTA-4-site-copiefefefe.png" /&#62;
 
&#38;nbsp;

	&#38;nbsp;__JAPOSTA · PALAIS AUGMENTE FESTIVAL___


18.06.21_____20.06.21






 


 &#38;nbsp; &#38;nbsp; &#38;nbsp;

	
JAPOSTA is an augmented reality and interactive project exposed in Grand Palais Ephémère. It’s a gigantic hybrid garden where we can enter and explore the biome at the scale of an insect. The environment was made by photogrammetries of plants, minerals and insects and use their organic textures to reivented and abstract naturals patterns. Artistic Direction &#38;amp; Production runned by me &#38;amp; Constance Valero.




GOBELINS x Blinkl Studio
Partnership by Grand Palais, FishEye, Tiktok &#38;amp; Orange




</description>
		
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		<title>JAKOB KUDSK STEENSEN · FONDATION LOUIS VUITTON</title>
				
		<link>https://moulinpierre.com/JAKOB-KUDSK-STEENSEN-FONDATION-LOUIS-VUITTON</link>

		<pubDate>Sun, 04 Jan 2026 17:21:32 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/JAKOB-KUDSK-STEENSEN-FONDATION-LOUIS-VUITTON</guid>

		<description>
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&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/7f26f76ea8371c3d1ef626050303acca4a804760d8c5fb60b914a28606a5fd27/HighresScreenshot00547-copie.png" data-mid="242419581" border="0"  src="https://freight.cargo.site/w/1000/i/7f26f76ea8371c3d1ef626050303acca4a804760d8c5fb60b914a28606a5fd27/HighresScreenshot00547-copie.png" /&#62;
 
&#38;nbsp;

	&#38;nbsp;__
JAKOB KUDSK STEENSEN · 
THE SONG TRAPPER___


07.25_____10.25


 

	




Invited to participate within the Louis Vuitton Fondation’s 17th edition of its Open Space programme, The Song Trapper, a solo exhibition and new work by Jakob Kudsk Steensen, premieres the first chapter in his immersive operatic and video game project, titled Evoker.


The Song Trapper (2025), is a video installation melding moving images, virtual performance, and sound. Shown on LED screens, the video features the first character created by the artist. Born from an ink and watercolor drawing, the Song Trapper was modeled in 3D and then animated in virtual environments. Unable to speak, they travel through these worlds, collecting sounds from the surrounding environment, which they then assemble, remix, and reproduce using musical devices attached to their clothing. During their journey, the Song Trapper crosses deserts, marshes, and salt flats in search of fragments of voices and traces of sounds. The narrative is guided by a free-verse poem written by the artist, which appears as a subtitle. Merging personal experience and speculations about the future, the story offer reflections on our changing world.













Character Art, Virtual Worlds and Video - Jakob Kudsk Steensen.



Technical Character Artist – Pierre Moulin.


Technical Lead – Wouter Weynants.




Motion Capture Actor – Iris Thomsen.

Lead Sound Artist - Matt McCorkle.

Vocals and Vocal Composition – Lyra Pramuk.

Motion Capture Producer – Mikael Jaeger Jensen.

Technical Producer – Andrea Familari.

Installation Production - Arter.

Co-Producer - Liz Kircher.

Project Producer/Studio Management - Alex Boyes.

Fragrance created in collaboration with Yann Vasnier, perfumer at Givaudan.

Curated by Claudia Buizza and Ludovic Delalande.


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		<title>COURRÈGES SS24 JEWELRY</title>
				
		<link>https://moulinpierre.com/COURREGES-SS24-JEWELRY</link>

		<pubDate>Sat, 23 Sep 2023 13:03:42 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/COURREGES-SS24-JEWELRY</guid>

		<description>
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&#60;img width="2500" height="1280" width_o="2500" height_o="1280" data-src="https://freight.cargo.site/t/original/i/de9c193eaf0b8aa4193103aac41fb92aa5e76c8f87df8aaf4a6839773659500a/6.png" data-mid="192482981" border="0"  src="https://freight.cargo.site/w/1000/i/de9c193eaf0b8aa4193103aac41fb92aa5e76c8f87df8aaf4a6839773659500a/6.png" /&#62;
 
&#38;nbsp;

	__ COURRÈGES SS24 __

06.23_____09.23

 



	





 I had the privilege of being involved in the creation of jewelry and sculptural bras through 3D printing for the Courrèges SS24 collection by Nicolas Di Felice, in collaboration with Stéphanie D'Heygére. T

he collection diverges from traditional Courrèges norms. Instead of sticking to conventional designs, the collection sees shapes bending and evolving, adapting fluidly to the body, allowing wearers to interpret them as they see fit. 

My journey included attending sessions with the accessories development team and the artistic direction, modeling designs based on drawings and workshop measurements, 3D printing the creations, and finally, preparing the pieces for the fashion show at Parc des Expositions de Versailles.
LINK TO THE SHOW












Set design : Remy Briere &#38;amp; Matiere Noire ParisMusic : Erwan Sene &#38;amp; Nicolas Di FeliceStyling : Marie Chaix

Models :&#38;nbsp; Anok Yai - Rachel Marx - Lulu Tenney












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		<title>VOGUE CZECHOSLOVAKIA</title>
				
		<link>https://moulinpierre.com/VOGUE-CZECHOSLOVAKIA</link>

		<pubDate>Thu, 02 Feb 2023 23:48:00 +0000</pubDate>

		<dc:creator>Pierre Moulin</dc:creator>

		<guid isPermaLink="true">https://moulinpierre.com/VOGUE-CZECHOSLOVAKIA</guid>

		<description>
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&#38;nbsp;
&#38;nbsp;

	&#38;nbsp;__VOGUE CZECHOSLOVAKIA___


01.22_____03.23

 



	
Art direction &#38;amp; 3D Design for the editorial “mimo reàlny svët_outside the real world” of the March 2023 issue of VOGUE CZECHOSLOVAKIA Magazine for the 

Mélanie Courtinat
‘s interwiev by Zdenëk Marek. We worked on a meeting scene between the two avatars in an organic digital space in which the protagonists are locked in video game boxcolliders. Each character is surrounded by an aura of high definition resolution that disintegrates with distance.












Art Direction__Styling : Ugo Masseï
Dress : COPERNI S/S 23
Necklace : Y/PROJECT 
 S/S 23


Text : Zdenëk Marek






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